So, you may have noticed a pretty big lack of book reviews lately. I, unfortunately, have found it's really hard for me to find the time during school, at least of late. I am in no way abandoning this blog, but I am going to go on (or continue, I guess) a hiatus until summer beak (mid-May). By then I will have, hopefully, read a ton of books to review and have time to read a ton more. I've enjoyed writing and it's been a good experience in just giving me practice thinking about books and what makes them good, bad, and in between.
See you in May!
Sunday, February 14, 2010
Tuesday, November 24, 2009
The Pilgrims of Plimouth
Title: The Pilgrims of Plimouth
Author: Marcia Sewall
Illustrator: Marcia Sewall
Genre: Juvenile Fiction, Historical Fiction
Price: $14.95
ISBN: 0698312504
With Thanksgiving just around the corner--or the day after tomorrow--I thought it might be fun to read a couple short Thanksgiving books. The first on my list was an old favorite called The Pilgrims of Plimouth, which is written by Marcia Sewall from the perspective of the pilgrims. Sewall takes on the voice of these wanderers and describes not only their reasons for leaving England, their journey, and the infamous feast (actually, feasts), but also the daily lives of these colonists and the hardships they faced.
Though Sewall has created a lovely picture book with illustrations that are soft and lovely, the colors bringing New England and Autumn to mind, the text is much more adult than one might imagine. At times, you could suppose Sewall had tracked down a pilgrim and interviewed them, then simply rewrote what he or she had to say and sent it off to the publishers. The vocabulary, cadence, and diction seem very authentic. That said, it would be a difficult book to read to a young child. The information given could be perceived as a bit dry unless you're interested in this sort of stuff and could be hard for a younger child to access.
Considering how jumbled the myth of Thanksgiving has become over the years and how those who are aware of the tawdry past the first colonists of this country have with the Native people, it can sometimes feel strange to celebrate a holiday that commemorates a people who soon attempted to annihilate another. This book gives a rather accurate description of these pilgrims, what happened during the first "thanksgiving" and how the pilgrims led their lives. It is much less about the myth than it is about who our nations ancestors were more or less down to an individual level rather than a larger, more ideological level. One may read this book and think less about Native Americans being forced from their lands as well as not being led into the belief that the pilgrims were perfect and had this one fantastic day in history.
Comparable Reads: I honestly can't think of any right off the top of my head. I suppose a good companion to this book would be 1621: A New Look at Thanksgiving, which I will have a review of shortly. The two books are not all a like, beyond subject, but they sort of overlap nicely.
Who this book is for: I feel like this might be a nice family book to have. Mom and Dad can walk their children through the book to help tackle the somewhat difficult language. I also think it would be a nice addition to a fifth or sixth grade classroom during this Thanksgiving time of year. If you were to have your students do a sort of origins of Thanksgiving project, this would be an excellent source to draw from. Sewall cites and uses sources in the writing of the book, so you can be fairly certain that though it's classified as fiction, the information is pretty accurate.
Author: Marcia Sewall
Illustrator: Marcia Sewall
Genre: Juvenile Fiction, Historical Fiction
Price: $14.95
ISBN: 0698312504
With Thanksgiving just around the corner--or the day after tomorrow--I thought it might be fun to read a couple short Thanksgiving books. The first on my list was an old favorite called The Pilgrims of Plimouth, which is written by Marcia Sewall from the perspective of the pilgrims. Sewall takes on the voice of these wanderers and describes not only their reasons for leaving England, their journey, and the infamous feast (actually, feasts), but also the daily lives of these colonists and the hardships they faced.
Though Sewall has created a lovely picture book with illustrations that are soft and lovely, the colors bringing New England and Autumn to mind, the text is much more adult than one might imagine. At times, you could suppose Sewall had tracked down a pilgrim and interviewed them, then simply rewrote what he or she had to say and sent it off to the publishers. The vocabulary, cadence, and diction seem very authentic. That said, it would be a difficult book to read to a young child. The information given could be perceived as a bit dry unless you're interested in this sort of stuff and could be hard for a younger child to access.
Considering how jumbled the myth of Thanksgiving has become over the years and how those who are aware of the tawdry past the first colonists of this country have with the Native people, it can sometimes feel strange to celebrate a holiday that commemorates a people who soon attempted to annihilate another. This book gives a rather accurate description of these pilgrims, what happened during the first "thanksgiving" and how the pilgrims led their lives. It is much less about the myth than it is about who our nations ancestors were more or less down to an individual level rather than a larger, more ideological level. One may read this book and think less about Native Americans being forced from their lands as well as not being led into the belief that the pilgrims were perfect and had this one fantastic day in history.
Comparable Reads: I honestly can't think of any right off the top of my head. I suppose a good companion to this book would be 1621: A New Look at Thanksgiving, which I will have a review of shortly. The two books are not all a like, beyond subject, but they sort of overlap nicely.
Who this book is for: I feel like this might be a nice family book to have. Mom and Dad can walk their children through the book to help tackle the somewhat difficult language. I also think it would be a nice addition to a fifth or sixth grade classroom during this Thanksgiving time of year. If you were to have your students do a sort of origins of Thanksgiving project, this would be an excellent source to draw from. Sewall cites and uses sources in the writing of the book, so you can be fairly certain that though it's classified as fiction, the information is pretty accurate.
No Fear, No Shame
Title: No Fear, No Shame
Author: Ann Turnbull
Genre: YA Fiction, Historical Fiction
Price: $15.99
ISBN: 0763625051
In the turmoil of post-civil war England, Ann Turnbull brings us the tale of a girl and a boy very much in love, but coming from very different worlds. Susanna is a young Quaker girl facing persecution because of her religion. Will is the son of a wealthy merchant and has recently returned from school and is looking for an apprenticeship. The two meet not long after Susanna is sent to live and work for a widow (also a Quaker) running a printshop and bookstore.
What Turnbull sets before us is a sort of Romeo and Juliet type of story, where two kids from two different worlds very nearly fall in love at first sight and decide they need to be together. The advantage here is no one kills themselves and the story is far less tragic than the drama it shares some themes with. The story moves with the typical pace of a young adult love story, quick and sudden and filled with over-the-top emotions. It captures very modern teen thought processes, though in a very historical setting, adding another layer of complications besides the usual, "Does he like me?" conundrum. Another plus is the fact that the story seems to fairly evenly cover both Susanna and Will, giving two sides of the story, allowing both the girl and the boy be goofy and in love. While I generally find myself annoyed by those horribly dorky girls who mope after boys (despite the fact I did some of that myself not too long ago), the fact that Turnbull adds in the male perspective makes for slightly more interesting reading.
Another interesting aspect of the novel is the historical setting. Turnbull focuses in on the world of the Quakers during the mid-17th century and gives the reader another layer of tension to deal with beyond the love story blossoming between the two main characters. Quakers are dissenters from the Church of England, and their worship is deemed illegal. Many view the Quakers, at best, as law-breakers, and, at worst, workers of some dark art. When Will, the son of a well-respected local, takes up with Susanna and then decides to become a Quaker himself, all Hell breaks loose in the kinds of moral questions one might ask.
Do you risk everything for the person you love?
Do you risk everything for your beliefs?
How far will you go for what is right?
Is it better to keep yourself and your family safe or to work towards the better good?
In all honesty, if Turnbull had just left the story at a romance between two teenagers, I probably would have dropped the book. The characters, while engaging, don't create enough of a story just between themselves. The addition of these moral questions genuinely made me stop and think about what I was reading and if what Susanna, Will, and their Quaker friends endured was really worth it. It's hard to not enjoy a book that not only has some entertainment value, but also gets you to think about your beliefs and what's important to you.
Comparable Reads: A Stitch in Time by Ann Rinaldi comes to mind immediately, though it comes from a different time period and country (post-Revolutionary war in Salem, Massachusetts). It focuses on the oldest daughter of a well-to-do family coping with numerous issues and romance, some propelled by people others by the time period. The novel also tackles issues to do with the time period, such as the treatment and views of Native Americans, women, and slavery.
Who this book is for: I'm seeing 13 and 14 year old girls (and up) really enjoying this book. Susanna is 14 in the book and experiencing emotions almost any teenage girl would be familiar with. I also think a fan of historical fiction would enjoy the novel as it tastes of realism, though I won't assume or say everything written is historically accurate. It may be an interesting way to introduce a kid who's not so interested in history to some interesting historical concepts along with some timeless ones.
Happy Reading!!
Author: Ann Turnbull
Genre: YA Fiction, Historical Fiction
Price: $15.99
ISBN: 0763625051
In the turmoil of post-civil war England, Ann Turnbull brings us the tale of a girl and a boy very much in love, but coming from very different worlds. Susanna is a young Quaker girl facing persecution because of her religion. Will is the son of a wealthy merchant and has recently returned from school and is looking for an apprenticeship. The two meet not long after Susanna is sent to live and work for a widow (also a Quaker) running a printshop and bookstore.
What Turnbull sets before us is a sort of Romeo and Juliet type of story, where two kids from two different worlds very nearly fall in love at first sight and decide they need to be together. The advantage here is no one kills themselves and the story is far less tragic than the drama it shares some themes with. The story moves with the typical pace of a young adult love story, quick and sudden and filled with over-the-top emotions. It captures very modern teen thought processes, though in a very historical setting, adding another layer of complications besides the usual, "Does he like me?" conundrum. Another plus is the fact that the story seems to fairly evenly cover both Susanna and Will, giving two sides of the story, allowing both the girl and the boy be goofy and in love. While I generally find myself annoyed by those horribly dorky girls who mope after boys (despite the fact I did some of that myself not too long ago), the fact that Turnbull adds in the male perspective makes for slightly more interesting reading.
Another interesting aspect of the novel is the historical setting. Turnbull focuses in on the world of the Quakers during the mid-17th century and gives the reader another layer of tension to deal with beyond the love story blossoming between the two main characters. Quakers are dissenters from the Church of England, and their worship is deemed illegal. Many view the Quakers, at best, as law-breakers, and, at worst, workers of some dark art. When Will, the son of a well-respected local, takes up with Susanna and then decides to become a Quaker himself, all Hell breaks loose in the kinds of moral questions one might ask.
Do you risk everything for the person you love?
Do you risk everything for your beliefs?
How far will you go for what is right?
Is it better to keep yourself and your family safe or to work towards the better good?
In all honesty, if Turnbull had just left the story at a romance between two teenagers, I probably would have dropped the book. The characters, while engaging, don't create enough of a story just between themselves. The addition of these moral questions genuinely made me stop and think about what I was reading and if what Susanna, Will, and their Quaker friends endured was really worth it. It's hard to not enjoy a book that not only has some entertainment value, but also gets you to think about your beliefs and what's important to you.
Comparable Reads: A Stitch in Time by Ann Rinaldi comes to mind immediately, though it comes from a different time period and country (post-Revolutionary war in Salem, Massachusetts). It focuses on the oldest daughter of a well-to-do family coping with numerous issues and romance, some propelled by people others by the time period. The novel also tackles issues to do with the time period, such as the treatment and views of Native Americans, women, and slavery.
Who this book is for: I'm seeing 13 and 14 year old girls (and up) really enjoying this book. Susanna is 14 in the book and experiencing emotions almost any teenage girl would be familiar with. I also think a fan of historical fiction would enjoy the novel as it tastes of realism, though I won't assume or say everything written is historically accurate. It may be an interesting way to introduce a kid who's not so interested in history to some interesting historical concepts along with some timeless ones.
Happy Reading!!
Thursday, November 5, 2009
The Book Whisperer
Title: The Book Whisperer
Author: Donalyn Miller
Genre: Non-fiction, Education
Price: $22.95
ISBN: 9780470372272
I've been asked to read a lot of books for my education courses, and some have been fairly traditional, perhaps to a fault (my classroom management text is abhorrent) while others have been a bit radical. But this book, one that was lent to me by my mentor teacher this semester, introduces a concept that completely turns the world of English education upside.
Donalyn Miller suggests that English teachers let their students choose their own books. Having come from the school of class-wide novels, starting in the 9th grade, I, at first, could not quite picture what that sort of classroom would look like. Chaos, perhaps? The depths of Hell stretching open and sucking the classroom downward because students weren't having Dandelion Wine shoved down their throats (this was the dumbest book I've ever been assigned to read in high school). Miller spends a bulk of her book explaining what does happen in her classroom, and it's far from horrifying.
Miller teachers a 6th grade English and Social Studies class and she does not assign class novels. Her students are instead required to read a hefty 40 books a school year. And they do it. Well, they do it for the most part. Miller does confess that not all students meet the criteria, but those who don't are still reading considerably more than they ever have in their lives, and plenty of students also exceed the required number of books.
There are multiple examples of how successful reading and expanded literacy throughout the book, painting a convincing portrait of Miller's classroom. Her students improve their reading skills, write better, and perform just as well if not above students who are placed in more traditional English classes on state exams. She also provides numerous testimonials from students, as well as sample questionnaires and surveys from her students regarding how they feel about reading. Much of what Miller shares could leave even the most staunch advocate of the class-wide novel questioning her methods.
What's more, Miller is a solid writer. She leaves the dry, lecture-y style behind, which is often adopted in this sort of book, and speaks to you as a colleague, friend, and fellow bibliophile. I found myself engaged with her for all these reasons, but most especially because we seem to share an affinity for fantasy novels. That said, I could see how those who do not share similar tastes in books could become annoyed with her constant references to Harry Potter or Cornelia Funke's Inkheart series.
Another negative I found within the book does not contribute so much to the enjoyment or effectiveness of delivering a message, but with personal philosophy on teaching, or the teaching positions one is in or foresees oneself in. Much of what Miller promotes may not apply to anyone who teaches beyond middle school. I completely agree that before the 9th grade, students should be read, read, reading everything and anything they get their hands on and should be encouraged to LOVE it. I was very rarely ever assigned a book to read before the 9th grade (The Devil's Arithmetic in the 6th grade, and I loved it), and I credit that for helping to perpetuate my love for reading (it also helped that my mom and dad read to us every night before bed up until I was in high school). I found that once I hit the 9th grade and was started to be assigned novels, I read considerably less than I had before, if only because I had not time outside the reading I had to do for school.
However. In high school, you have the expectation that you're going to be graduating at some point and either moving out into the "real world" or entering some sort of post-graduate program (tech school, trade school, university and the like). You're going to have to learn how to delegate your time and energy. You're going to have to learn how to get through doing things you may not be completely emotionally engaged with. And, if you're planning on attending a four-year university, you're going to take freshman English, and this course will have required reading of texts that if you're only reading books you like, you may have never, ever experienced before. Miller never mentions this. In fact, she basically says don't worry about it, but I was not sure if she was saying that specifically to other middle grade teachers, or to all teachers. If it's just to middle grade teachers, right on, I agree, but if it's also directed to high school teachers--eh, wrong!!
I diverge from Miller's beliefs when I say students need to have experiences with different kinds of texts in order to be completely fluent readers. If I was allowed to read whatever I wanted with no check, then it would be YA Fic all the way! But because my education concentration in in English, I have been required to take a multitude of literature courses that have required me to read everything from Percy Shelley to John Donne to Virginia Woolf. Some of it I've liked, some of it I could have done without, but ALL of it has left me a stronger reader, because I've had to work at it.
That said, you probably can't get to that point without a strong foundation in reading to begin with, so elementary and middle school teachers need to get on that. I was lucky, others not so much, and I suppose that's what Miller was trying to say.
I apologize, this "review" has become more of a short treatise on what I think about the teaching of reading. Let's finish this thing up.
Comparable Reads: I haven't had the opportunity to read anything quite like this before, so I don't know that I have anything comparable. I'm more than open to suggestions of similar texts.
Who this book is for: Well, teachers. And I am disregarding content. I think teachers from almost any content area would benefit from hearing about how important it is for students to be constantly reading and engaged in reading. Even if I don't completely buy into everything Miller has to say (though she makes tons of excellent points), she is absolutely correct that actual reading needs to emphasized more in the classroom.
I also feel that parents should read this. Granted, I think parents should read almost any education book, because it's helpful to know how the people who spend six hours a day with your kid feel on certain subjects. I think this book gives excellent insight on how a classroom can be run and what should be expected of children as they take on new skills--and this is important for parents to know.
Happy Reading!!
Author: Donalyn Miller
Genre: Non-fiction, Education
Price: $22.95
ISBN: 9780470372272
I've been asked to read a lot of books for my education courses, and some have been fairly traditional, perhaps to a fault (my classroom management text is abhorrent) while others have been a bit radical. But this book, one that was lent to me by my mentor teacher this semester, introduces a concept that completely turns the world of English education upside.
Donalyn Miller suggests that English teachers let their students choose their own books. Having come from the school of class-wide novels, starting in the 9th grade, I, at first, could not quite picture what that sort of classroom would look like. Chaos, perhaps? The depths of Hell stretching open and sucking the classroom downward because students weren't having Dandelion Wine shoved down their throats (this was the dumbest book I've ever been assigned to read in high school). Miller spends a bulk of her book explaining what does happen in her classroom, and it's far from horrifying.
Miller teachers a 6th grade English and Social Studies class and she does not assign class novels. Her students are instead required to read a hefty 40 books a school year. And they do it. Well, they do it for the most part. Miller does confess that not all students meet the criteria, but those who don't are still reading considerably more than they ever have in their lives, and plenty of students also exceed the required number of books.
There are multiple examples of how successful reading and expanded literacy throughout the book, painting a convincing portrait of Miller's classroom. Her students improve their reading skills, write better, and perform just as well if not above students who are placed in more traditional English classes on state exams. She also provides numerous testimonials from students, as well as sample questionnaires and surveys from her students regarding how they feel about reading. Much of what Miller shares could leave even the most staunch advocate of the class-wide novel questioning her methods.
What's more, Miller is a solid writer. She leaves the dry, lecture-y style behind, which is often adopted in this sort of book, and speaks to you as a colleague, friend, and fellow bibliophile. I found myself engaged with her for all these reasons, but most especially because we seem to share an affinity for fantasy novels. That said, I could see how those who do not share similar tastes in books could become annoyed with her constant references to Harry Potter or Cornelia Funke's Inkheart series.
Another negative I found within the book does not contribute so much to the enjoyment or effectiveness of delivering a message, but with personal philosophy on teaching, or the teaching positions one is in or foresees oneself in. Much of what Miller promotes may not apply to anyone who teaches beyond middle school. I completely agree that before the 9th grade, students should be read, read, reading everything and anything they get their hands on and should be encouraged to LOVE it. I was very rarely ever assigned a book to read before the 9th grade (The Devil's Arithmetic in the 6th grade, and I loved it), and I credit that for helping to perpetuate my love for reading (it also helped that my mom and dad read to us every night before bed up until I was in high school). I found that once I hit the 9th grade and was started to be assigned novels, I read considerably less than I had before, if only because I had not time outside the reading I had to do for school.
However. In high school, you have the expectation that you're going to be graduating at some point and either moving out into the "real world" or entering some sort of post-graduate program (tech school, trade school, university and the like). You're going to have to learn how to delegate your time and energy. You're going to have to learn how to get through doing things you may not be completely emotionally engaged with. And, if you're planning on attending a four-year university, you're going to take freshman English, and this course will have required reading of texts that if you're only reading books you like, you may have never, ever experienced before. Miller never mentions this. In fact, she basically says don't worry about it, but I was not sure if she was saying that specifically to other middle grade teachers, or to all teachers. If it's just to middle grade teachers, right on, I agree, but if it's also directed to high school teachers--eh, wrong!!
I diverge from Miller's beliefs when I say students need to have experiences with different kinds of texts in order to be completely fluent readers. If I was allowed to read whatever I wanted with no check, then it would be YA Fic all the way! But because my education concentration in in English, I have been required to take a multitude of literature courses that have required me to read everything from Percy Shelley to John Donne to Virginia Woolf. Some of it I've liked, some of it I could have done without, but ALL of it has left me a stronger reader, because I've had to work at it.
That said, you probably can't get to that point without a strong foundation in reading to begin with, so elementary and middle school teachers need to get on that. I was lucky, others not so much, and I suppose that's what Miller was trying to say.
I apologize, this "review" has become more of a short treatise on what I think about the teaching of reading. Let's finish this thing up.
Comparable Reads: I haven't had the opportunity to read anything quite like this before, so I don't know that I have anything comparable. I'm more than open to suggestions of similar texts.
Who this book is for: Well, teachers. And I am disregarding content. I think teachers from almost any content area would benefit from hearing about how important it is for students to be constantly reading and engaged in reading. Even if I don't completely buy into everything Miller has to say (though she makes tons of excellent points), she is absolutely correct that actual reading needs to emphasized more in the classroom.
I also feel that parents should read this. Granted, I think parents should read almost any education book, because it's helpful to know how the people who spend six hours a day with your kid feel on certain subjects. I think this book gives excellent insight on how a classroom can be run and what should be expected of children as they take on new skills--and this is important for parents to know.
Happy Reading!!
Sunday, November 1, 2009
Fires in the Bathroom
Title: Fires in the Bathroom
Author: Kathleen Cushman and the students of What Kids Can Do, Inc.
Genre: Non-fiction, Education
Price: $12.89 (on Amazon)
ISBN: 1565849965
I haven't felt too much pressure to post about the books I've been asked to read for my practicum course this semester, considering the assignments are made mostly up of textbooks, but this book is quite different. The goal behind writing this book was to give teachers, current and future, an idea of what is going on in their students' minds when it comes to school. Kathleen Cushman, along with several students from various areas in the U.S. (mainly California, New York, and Southern New England) wrote the book, giving advice in several areas, such as earning respect from your students, teaching the whole class as well as individual students, and working with ELL (English language learners) students.
While books like this can sometimes seem disingenuous, the kids words shaped into something a little bit more digestible for adults to hear, the students responses are kept raw and the book is entirely from their point of view. A majority of the texts are quotes from students, explaining their feelings about teachers and what works in the classroom and what doesn't. Some of the responses make sense, at least to me, someone who hasn't been out of high school too long: "If someone gives you a bad grade, they should tell you exactly why" (pg. 27).
Other times things that had never occurred to me appeared, making me consider situations I hadn't had to while I was in high school: "Learning hard things feels most overwhelming when students see the new material as a daunting mass of unfamiliar ideas" (pg. 124). If you've been a good student all your life and then become an enthusiastic learner, it's hard to look at new material in this way, but when you've been in the position where school is not a place where you feel intellectually safe (as is the case with many students), then yes, new material is daunting. I think many teachers or soon-to-be teachers have mostly been in the position where school has come easily to them, and it's something they've embraced. It is not always, and sometimes rarely, the case with their students. It does those students a disservice to not know this other side of the school coin. "Fires" helps reveal that side to those who are unfamiliar.
As touted before, this book is written almost entirely from the perspective of the students. While in most ways, this is absolutely a benefit (it's so important to hear straight from kids mouths how they think--what they say can't be reinterpreted incorrectly), but in others, it can be frustrating. These are high school students, and while they may say they want thing, the also may want the exact opposite. In the beginning of the book, students state they feel like they want their teachers to know them better, to have an invested interest in them and their lives and try to understand what's going on. But they don't want teachers to ask them any questions. They don't want teachers to get to personal. They want them to read their body language. I couldn't help but chuckle a bit as I read this part. They want us to know them, but not at all. And, by the way, it was the same students saying they wanted their teachers to get to know them as well as saying they didn't want to reveal to much of their personal lives to them. It's very typical teenager to give these mixed messages, or at least I know it was for me and my friends.
Though what the students had to say in this part gave me a little laugh, it also frustrated me. The book offered few solutions to this conundrum beyond providing a copy of a questionnaire teachers can use with their students on the first day of school, perhaps making outright questioning less abrasive. I wish a little more information on how to approach the situation had been given. However, on another note, regarding the questionnaire, the book provides several worksheet sort of things to use to work with students or to record information about them. Some of them appeared as though they could be helpful, others perhaps not. I think judgment over helpfulness is more or less subjective. You may read this book and find all or none of the worksheets to be helpful--it depends on how you run your classroom.
Comparable Reads: This book, in some sense, reminds me of The Freedom Writers, by Erin Gruwell, but much less emotionally powerful. However, as far as teaching strategies, this book is far more rich than the Gruwell book (she does have a teacher's companion, however, which I have not read, but I expect it has some strategies there). Also, as I was looking up the price for "Fires" on Amazon, I saw that there were a couple of other books by Cushman, Fires in Middle School Bathrooms, which was published last year and has a focus on middle schoolers, and What We Can't Tell You, which seems like it might be the parents version of "Fires", where teens talk about the things they feel they can't say to the adults in their lives.
Who this book is for: Secondary teachers of any subject ought to investigate this book. It's clear why it was required reading for my practicum class. The insight it gives you, even if it seems obvious or conflicting at times, is insight you need to keep at the forefront of your mind when you go into a classroom. I personally need the reminders from the book because I need to remember every student is not me and that everyone has a unique motivation for getting or not getting work done.
I also feel parents may benefit in reading this book. It will give you idea of how you child may think about school, and the topics discussed might lead to an interesting conversation with your child in how he or she thinks about school.
The book may also be an interesting read for high schoolers themselves. I think, at the very least, teachers could take excerpts from the book and discuss what the students in the book say and feel versus how the students in the classroom feel. It might be particularly helpful if the book covers an area where the class seems to be struggling.
Happy Reading!
Author: Kathleen Cushman and the students of What Kids Can Do, Inc.
Genre: Non-fiction, Education
Price: $12.89 (on Amazon)
ISBN: 1565849965
I haven't felt too much pressure to post about the books I've been asked to read for my practicum course this semester, considering the assignments are made mostly up of textbooks, but this book is quite different. The goal behind writing this book was to give teachers, current and future, an idea of what is going on in their students' minds when it comes to school. Kathleen Cushman, along with several students from various areas in the U.S. (mainly California, New York, and Southern New England) wrote the book, giving advice in several areas, such as earning respect from your students, teaching the whole class as well as individual students, and working with ELL (English language learners) students.
While books like this can sometimes seem disingenuous, the kids words shaped into something a little bit more digestible for adults to hear, the students responses are kept raw and the book is entirely from their point of view. A majority of the texts are quotes from students, explaining their feelings about teachers and what works in the classroom and what doesn't. Some of the responses make sense, at least to me, someone who hasn't been out of high school too long: "If someone gives you a bad grade, they should tell you exactly why" (pg. 27).
Other times things that had never occurred to me appeared, making me consider situations I hadn't had to while I was in high school: "Learning hard things feels most overwhelming when students see the new material as a daunting mass of unfamiliar ideas" (pg. 124). If you've been a good student all your life and then become an enthusiastic learner, it's hard to look at new material in this way, but when you've been in the position where school is not a place where you feel intellectually safe (as is the case with many students), then yes, new material is daunting. I think many teachers or soon-to-be teachers have mostly been in the position where school has come easily to them, and it's something they've embraced. It is not always, and sometimes rarely, the case with their students. It does those students a disservice to not know this other side of the school coin. "Fires" helps reveal that side to those who are unfamiliar.
As touted before, this book is written almost entirely from the perspective of the students. While in most ways, this is absolutely a benefit (it's so important to hear straight from kids mouths how they think--what they say can't be reinterpreted incorrectly), but in others, it can be frustrating. These are high school students, and while they may say they want thing, the also may want the exact opposite. In the beginning of the book, students state they feel like they want their teachers to know them better, to have an invested interest in them and their lives and try to understand what's going on. But they don't want teachers to ask them any questions. They don't want teachers to get to personal. They want them to read their body language. I couldn't help but chuckle a bit as I read this part. They want us to know them, but not at all. And, by the way, it was the same students saying they wanted their teachers to get to know them as well as saying they didn't want to reveal to much of their personal lives to them. It's very typical teenager to give these mixed messages, or at least I know it was for me and my friends.
Though what the students had to say in this part gave me a little laugh, it also frustrated me. The book offered few solutions to this conundrum beyond providing a copy of a questionnaire teachers can use with their students on the first day of school, perhaps making outright questioning less abrasive. I wish a little more information on how to approach the situation had been given. However, on another note, regarding the questionnaire, the book provides several worksheet sort of things to use to work with students or to record information about them. Some of them appeared as though they could be helpful, others perhaps not. I think judgment over helpfulness is more or less subjective. You may read this book and find all or none of the worksheets to be helpful--it depends on how you run your classroom.
Comparable Reads: This book, in some sense, reminds me of The Freedom Writers, by Erin Gruwell, but much less emotionally powerful. However, as far as teaching strategies, this book is far more rich than the Gruwell book (she does have a teacher's companion, however, which I have not read, but I expect it has some strategies there). Also, as I was looking up the price for "Fires" on Amazon, I saw that there were a couple of other books by Cushman, Fires in Middle School Bathrooms, which was published last year and has a focus on middle schoolers, and What We Can't Tell You, which seems like it might be the parents version of "Fires", where teens talk about the things they feel they can't say to the adults in their lives.
Who this book is for: Secondary teachers of any subject ought to investigate this book. It's clear why it was required reading for my practicum class. The insight it gives you, even if it seems obvious or conflicting at times, is insight you need to keep at the forefront of your mind when you go into a classroom. I personally need the reminders from the book because I need to remember every student is not me and that everyone has a unique motivation for getting or not getting work done.
I also feel parents may benefit in reading this book. It will give you idea of how you child may think about school, and the topics discussed might lead to an interesting conversation with your child in how he or she thinks about school.
The book may also be an interesting read for high schoolers themselves. I think, at the very least, teachers could take excerpts from the book and discuss what the students in the book say and feel versus how the students in the classroom feel. It might be particularly helpful if the book covers an area where the class seems to be struggling.
Happy Reading!
Saturday, October 17, 2009
Catching Fire
Title: Catching Fire
Author: Suzanne Collins
Genre: Young Adult, Sci-Fi
Price: $17.99
ISBN: 9780439023498
Catching Fire is the second book out in The Hunger Games Trilogy. For fear of spoiling the plot for those who have not read or finished the first book, I honestly cannot say much about the plot beyond it is as gripping as the first. While I often find the second book in many trilogies to be a drag in comparison to it's first and the third, this second installment was incredible (granted, the third book will not be out until next September, so I don't have it as a comparison).
Like the first, Collins manages to grip you and keep you from the first page to the last. At the beginning it feels very much like an extension of the first book, one that you would hope to have (The Hunger Games end making you with for more, and this is it!), but it finishes with a feeling (well, more like a knowing) that things are much, much larger than they appear.
The things I enjoyed in the first book return, like the depth of the characters and the intensity in the plot. I literally could not put the book down (I read it in less than 24 hours). The book kept you going by not giving you a completely clear sense of where Collins was planning on having the ending land. In the beginning it looked one way, in the middle it looked another, and at the end it looked completely different yet again. And, in the very last few pages of the novel, Collins brings the story in a whole new direction. While this is wonderful to read (if you're into that sort of thing), there was one small problem I had. In order to take the story in that new direction, several things had to be explained in about six pages. The information went in so quickly that it took me a couple of reads to really understand what was going on and realize that THIS was actually what was happening, not a daydream or something of the main character's.
For "Comparable Reads" and "Who this book is for", check out my posting on the first book.
Author: Suzanne Collins
Genre: Young Adult, Sci-Fi
Price: $17.99
ISBN: 9780439023498
Catching Fire is the second book out in The Hunger Games Trilogy. For fear of spoiling the plot for those who have not read or finished the first book, I honestly cannot say much about the plot beyond it is as gripping as the first. While I often find the second book in many trilogies to be a drag in comparison to it's first and the third, this second installment was incredible (granted, the third book will not be out until next September, so I don't have it as a comparison).
Like the first, Collins manages to grip you and keep you from the first page to the last. At the beginning it feels very much like an extension of the first book, one that you would hope to have (The Hunger Games end making you with for more, and this is it!), but it finishes with a feeling (well, more like a knowing) that things are much, much larger than they appear.
The things I enjoyed in the first book return, like the depth of the characters and the intensity in the plot. I literally could not put the book down (I read it in less than 24 hours). The book kept you going by not giving you a completely clear sense of where Collins was planning on having the ending land. In the beginning it looked one way, in the middle it looked another, and at the end it looked completely different yet again. And, in the very last few pages of the novel, Collins brings the story in a whole new direction. While this is wonderful to read (if you're into that sort of thing), there was one small problem I had. In order to take the story in that new direction, several things had to be explained in about six pages. The information went in so quickly that it took me a couple of reads to really understand what was going on and realize that THIS was actually what was happening, not a daydream or something of the main character's.
For "Comparable Reads" and "Who this book is for", check out my posting on the first book.
The Hunger Games
Title: The Hunger Games
Author: Suzanne Collins
Genre: Young Adult, Sci-Fi
Price: $17.99 (Hardcover)
ISBN: 9780439023481
When starting Suzanne Collin's novel, The Hunger Games, I had not anticipated finishing it very quickly, having taken on a heavy course load this semester. I finished the 374 page novel in three days. Collins presents an undeniably gripping and suspenseful story that easily pulls you in from beginning to end.
The story centers around Katniss Everdeen, who lives with her mother and sister in the vestiges of North America. The countries we recognize in North America seem to have disappeared and have been replaced by country of Panem, made up by 12 districts and a capital. Katniss lives in District 12, one of the poorest of the districts, where the citizens mine coal (formerly a part of Appalachia). Each year the capital "reaps" two teens, a boy a girl (called tributes), from each district to have them play in the Hunger Games, a televised event where the tributes are expected to survive in the wilderness and kill each other. The remaining tribute wins and brings wealth and perstige to his or her district.
The Hunger Games are set up as a reminder to the country (a place where many are in poverty, coralled in by electric fenses, and are unable to travel beyond their own district) that the government has complete control over the population and it is in their best interest to obey, or else more of their children will be ripped from their arms. Katniss is the female tribute for her district and is sent to the Capital with a boy she knows, though has never really spoken with him, Peeta Mellark.
The ideas behind the story are undeniably interesting, but a good idea can flop if it's not backed up with solid plot and characters. Collins' writing is amazing. She hold you in place and makes you read until you don't think you can read another word, your heart is pounding so fast, but you keep going just the same. She manages to invoke the same intense feelings you know Katniss is experiencing as she hunts for game at home or her competitors in the Hunger Games. In some ways you feel less like you're reading a book and more like you're taking a ride or watching an extremely intense movie.
Collins' vivid writing brings her characters to life, capturing their essences through both descriptions through Katniss's accute and somewhat jaded eyes and their interactions with Katniss. She allows the reader to see both Katniss's reaction and interpretation of each character, their motives and personal qualities, as well as providing enough for the reader to draw their own conclusion, too. This is something I think can be hard to do in a first person novel, where you are only given as much information as the main character and it can be difficult to figure out certain things before the lead. Here Collins allows us to almost feel as though we're working with Katniss, and I sometimes found myself coming to a different (and correct) conclusion than her, but instead of feeling like Collins had come up with a somewhat dull character, I understand that perhaps she wasn't in the right place to realize certain things just yet. When that was the case, it made the reading all the better--it was rather like watching one of those detective or crime scene shows when you know who's committed the crime, but the detective doesn't and you're just dying for them to find out, always keeping an eye out for the next clue for them.
While one might feel the entire book would revolve around bloodshed and survival, Collins does an excellent job of inserting some very real and complex feelings between Katniss, her friend best friend Gale (a boy and hunting partner), and her ally/enemy/friend/"lover", Peeta. The introduction of these characters, particularly Peeta, show a side of Katniss we would not have otherwise seen. Katniss on her own can actually be quite hard to swallow, because she is a very harsh realist and seems to be nearly hopeless in parts of the book. If not for supporting characters who make her care and love and fight for someone other than herself, she might be harder to digest and seem one-dimensional.
Comparable Reads: It was suggested somewhere (I forget where, on a website I believe), that this is a story about a dystopia. I agree. This brings to mind several books that share a similar thread of a world completely out of sync with human needs. Children's books like The Giver by Lois Lowry (along with Gathering Blue and The Messanger) and The City of Ember by Jeanne DuPrau (there are three other books in this series) speak about worlds where things are so utterly different and dangerous, but are being portrayed as something better than what people had before, much like The Hunger Games. As for some more adult fiction, there are a couple of novels by Margaret Atwood, Oryx and Crake for one, and The Handmaiden's Tale where one is presented with frightening visions of a future dystopia. Aldus Huxley's Brave New World comes to mind as well.
Who this book is for: I believe most teens and adults will enjoy this book. It's one I believe will join the pantheon a few of the books above have joined--solid literature that reveals the viciousness of humanity and one that makes us question why we behave in the way we do. I can't really think of one particular group who would really take this book and run with it, because I sort of feel it reaches many different audiences (like the Harry Potter series, only better). I think it might make a solid addition to a high school reading list, particularly if it's already featuring books like Brave New World or 1984. It's a different slant and a different perspective than most dystopian novels and it may communicate many of the same messages but in a more appealing way. It's also been suggested it be taught as a bridge to Lord of the Flies.
Word of warning, however. This book feels very real. I would not suggest parents let their young children (like, under 12, depending on their emotional maturity) read this book. You have kids (KIDS!) murdering each other for the sport of a nation and it can be hard to read at times. I would suggest parents of young kids who are eager to read this read it themselves first.
Happy reading!!!!
Author: Suzanne Collins
Genre: Young Adult, Sci-Fi
Price: $17.99 (Hardcover)
ISBN: 9780439023481
When starting Suzanne Collin's novel, The Hunger Games, I had not anticipated finishing it very quickly, having taken on a heavy course load this semester. I finished the 374 page novel in three days. Collins presents an undeniably gripping and suspenseful story that easily pulls you in from beginning to end.
The story centers around Katniss Everdeen, who lives with her mother and sister in the vestiges of North America. The countries we recognize in North America seem to have disappeared and have been replaced by country of Panem, made up by 12 districts and a capital. Katniss lives in District 12, one of the poorest of the districts, where the citizens mine coal (formerly a part of Appalachia). Each year the capital "reaps" two teens, a boy a girl (called tributes), from each district to have them play in the Hunger Games, a televised event where the tributes are expected to survive in the wilderness and kill each other. The remaining tribute wins and brings wealth and perstige to his or her district.
The Hunger Games are set up as a reminder to the country (a place where many are in poverty, coralled in by electric fenses, and are unable to travel beyond their own district) that the government has complete control over the population and it is in their best interest to obey, or else more of their children will be ripped from their arms. Katniss is the female tribute for her district and is sent to the Capital with a boy she knows, though has never really spoken with him, Peeta Mellark.
The ideas behind the story are undeniably interesting, but a good idea can flop if it's not backed up with solid plot and characters. Collins' writing is amazing. She hold you in place and makes you read until you don't think you can read another word, your heart is pounding so fast, but you keep going just the same. She manages to invoke the same intense feelings you know Katniss is experiencing as she hunts for game at home or her competitors in the Hunger Games. In some ways you feel less like you're reading a book and more like you're taking a ride or watching an extremely intense movie.
Collins' vivid writing brings her characters to life, capturing their essences through both descriptions through Katniss's accute and somewhat jaded eyes and their interactions with Katniss. She allows the reader to see both Katniss's reaction and interpretation of each character, their motives and personal qualities, as well as providing enough for the reader to draw their own conclusion, too. This is something I think can be hard to do in a first person novel, where you are only given as much information as the main character and it can be difficult to figure out certain things before the lead. Here Collins allows us to almost feel as though we're working with Katniss, and I sometimes found myself coming to a different (and correct) conclusion than her, but instead of feeling like Collins had come up with a somewhat dull character, I understand that perhaps she wasn't in the right place to realize certain things just yet. When that was the case, it made the reading all the better--it was rather like watching one of those detective or crime scene shows when you know who's committed the crime, but the detective doesn't and you're just dying for them to find out, always keeping an eye out for the next clue for them.
While one might feel the entire book would revolve around bloodshed and survival, Collins does an excellent job of inserting some very real and complex feelings between Katniss, her friend best friend Gale (a boy and hunting partner), and her ally/enemy/friend/"lover", Peeta. The introduction of these characters, particularly Peeta, show a side of Katniss we would not have otherwise seen. Katniss on her own can actually be quite hard to swallow, because she is a very harsh realist and seems to be nearly hopeless in parts of the book. If not for supporting characters who make her care and love and fight for someone other than herself, she might be harder to digest and seem one-dimensional.
Comparable Reads: It was suggested somewhere (I forget where, on a website I believe), that this is a story about a dystopia. I agree. This brings to mind several books that share a similar thread of a world completely out of sync with human needs. Children's books like The Giver by Lois Lowry (along with Gathering Blue and The Messanger) and The City of Ember by Jeanne DuPrau (there are three other books in this series) speak about worlds where things are so utterly different and dangerous, but are being portrayed as something better than what people had before, much like The Hunger Games. As for some more adult fiction, there are a couple of novels by Margaret Atwood, Oryx and Crake for one, and The Handmaiden's Tale where one is presented with frightening visions of a future dystopia. Aldus Huxley's Brave New World comes to mind as well.
Who this book is for: I believe most teens and adults will enjoy this book. It's one I believe will join the pantheon a few of the books above have joined--solid literature that reveals the viciousness of humanity and one that makes us question why we behave in the way we do. I can't really think of one particular group who would really take this book and run with it, because I sort of feel it reaches many different audiences (like the Harry Potter series, only better). I think it might make a solid addition to a high school reading list, particularly if it's already featuring books like Brave New World or 1984. It's a different slant and a different perspective than most dystopian novels and it may communicate many of the same messages but in a more appealing way. It's also been suggested it be taught as a bridge to Lord of the Flies.
Word of warning, however. This book feels very real. I would not suggest parents let their young children (like, under 12, depending on their emotional maturity) read this book. You have kids (KIDS!) murdering each other for the sport of a nation and it can be hard to read at times. I would suggest parents of young kids who are eager to read this read it themselves first.
Happy reading!!!!
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